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Maigret and the Dead Lover

Maigret and the Dead Lover - image - a film by Pascal Bonitzer
Maigret and the Dead Lover - image - a film by Pascal Bonitzer
Maigret and the Dead Lover - image - a film by Pascal Bonitzer
Maigret and the Dead Lover - image - a film by Pascal Bonitzer
Maigret and the Dead Lover - image - a film by Pascal Bonitzer
Maigret and the Dead Lover - image - a film by Pascal Bonitzer
AUSTRALIAN PREMIERE SCREENINGS - 2026 AF FRENCH FILM FEST - 3 MAR-22 APR
Maigret and the Dead Lover - poster - a film by Pascal Bonitzer
Surprising and seductive. A delightful adaptation, particularly well done. Sharp dialogue, the mystery of the human soul, and extremely concise storytelling: everything that defines the spirit of Simenon is found intact here. So let's raise a glass, as Maigret often likes to do.
A pure cinematic delight.
Aurélien Cabrol
LA TRIBUTE DIMANCHE
Delightful. A perfectly oiled machine.
Classically staged. As with Simenon, this film is a pretext for painting a portrait of a social milieu, in this case the aristocracy, with all its grandeur and decadence. It is also a pretext for sketching characters, their passions and their little secrets, or for exploring the existential questions of an old police commissioner. Denis Podalydès brings his imagination, his mischief, and a discreet touch of irony and self-mockery to Maigret, and Bonitzer gives pride of place to all the wonderful actors and actresses, who, through their accurate and free interpretation of their roles, large and small, bring a new flavour.
Director: Pascal Bonitzer
Cast: Denis Podalydès, Anne Alvaro, Manuel Guillot, Irène Jacob, Micha Lescot, Dominique Reymond, Arcady Radeff, Laurent Poitreneaux, Olivier Rabourdin
Duration: 80mins
Country of Origin: France
PG
Mild themes
Surprising and seductive. A delightful adaptation, particularly well done. Sharp dialogue, the mystery of the human soul, and extremely concise storytelling: everything that defines the spirit of Simenon is found intact here. So let's raise a glass, as Maigret often likes to do.
A pure cinematic delight.
Aurélien Cabrol
LA TRIBUTE DIMANCHE
Delightful. A perfectly oiled machine.
Classically staged. As with Simenon, this film is a pretext for painting a portrait of a social milieu, in this case the aristocracy, with all its grandeur and decadence. It is also a pretext for sketching characters, their passions and their little secrets, or for exploring the existential questions of an old police commissioner. Denis Podalydès brings his imagination, his mischief, and a discreet touch of irony and self-mockery to Maigret, and Bonitzer gives pride of place to all the wonderful actors and actresses, who, through their accurate and free interpretation of their roles, large and small, bring a new flavour.

Directly following the break-out critical and box office success of 2025’s The Stolen Painting, acclaimed writer/director Pascal Bonitzer brings his unique perspective and directorial panache to Georges Simenon’s beloved Parisian detective Inspector Maigret – a French counterpart to Agatha Christie’s Poirot - as he attempts to solve the murder of a former diplomat with a long-held secret.

Inspector Maigret (four-time César nominee Denis Podalydès, in a tremendous performance) is urgently summoned to the Quai d'Orsay: a former ambassador has been found shot dead by his long-serving housekeeper (Anne Alvaro, The Taste of Others). But rather than contact the police, she has followed diplomatic protocols by first informing the Ministry of Foreign Affairs. Forewarned that he will find a series of salacious letters – and cautioned to be discrete - Maigret heads to the victim’s opulent apartment. He finds no forensic evidence at the crime scene, but certainly, the letters prove startling – secret, decades-spanning correspondence between the ambassador and the Princess of Vuynes, whose own husband, by strange coincidence, has also just died…

Bonitzer, renowned for an intuitive and empathetic focus, finds a perfect match with a protagonist who relies on quiet observation. He delivers an absorbing, wholly compelling mystery that also serves as a thoughtful examination of modern life’s key concerns: hierarchy, aging, and the very different worlds that money creates. Best of all, the twist ending is… a killer.

Maigret and the Dead Lover - poster - a film by Pascal Bonitzer