Winner of the 2014 Academy Award for Best Foreign Language Film, THE GREAT BEAUTY is Paolo Sorrentino’s evocative tale of hedonism and lost love, and an extraordinary depiction of contemporary Rome.

La grande bellezza
Director: Paolo Sorrentino
Cast: Toni Servillo, Carlo Verdone, Sabrina Ferilli
Duration: 141 mins
Country of Origin: Italy

MA15+Strong nudity

The Great Beauty

“A shimmering coup de cinema to make your heart burst, your mind swim and your soul roar.”
Robbie Collin, THE TELEGRAPH (UK)

“Exhilarating. Delirious. An Aperol spritz of Roman fantasia.”
Jonathan Romney, THE INDEPENDENT

“The film equivalent of a magnificent banquet composed of 78 sweet courses. This movie looks and feels superb, it is pure couture cinema. A brilliantly executed, glitteringly hypnotic film.”
Peter Bradshaw, THE GUARDIAN

“A Fellini-esque tour de force. Anybody who remembers the thrill of seeing La Dolce Vita for the first time should swiftly book a seat. The Great Beauty may well turn out to be one of those films that define an era. A mesmeric piece of cinema. At almost 2 1/2 hours, it is over all too quickly.”

“Lurid, acerbic, seductive and magnificent. Sorrentino has mastered the delicate balancing act between scabrous comedy and honest human pathos. This is an experience to cherish.”
Eddie Cockrell, THE AUSTRALIAN

“A head-spinning update of Fellini’s La Dolce Vita for the era of Silvio Berlusconi. Dazzling. Gorgeous. Moving. A ravishing, old-style European art movie of the highest order, that’s not mere cultural tourism but probes the heart and challenges the intellect. Deserves more than a single visit.”

WINNER – EUROPEAN FILM AWARDS – Best Film, Director, Actor, Editing

One of the most spectacular and talked-about films of the Cannes Film Festival, and Italy’s official submission for the 2014 Academy Awards, THE GREAT BEAUTY is Paolo Sorrentino’s powerful and evocative tale of hedonism and lost love, and an extraordinary depiction of contemporary Rome – where life is a performance, and the city its stage.

65-year-old Jep Gambardella (the phenomenal Toni Servillo) is a jaded journalist and wealthy bon vivant whose early promise as a novelist has never been fulfilled, though his infamy remains. He lives in a luxurious apartment overlooking the Colosseum and is a regular of Rome’s party circuit for the elite, a never-ending nocturnal parade of decadence that rages through antique palaces, immense villas and opulent terraces around the Eternal City.

The blinding metropolis Jep strolls through by day seems to reflect the futility of his actions and those of his friends, but his worldview begins to shift after a man arrives on his doorstep and informs him of the death of his first love. Both troubled and moved by the revelation, Jep is flooded with memories of the past and ponders the promise of what may remain….

Arguably one of the most striking evocations of a city ever filmed, THE GREAT BEAUTY is a vibrant and breathtaking cinematic feast for the senses that captures Rome in a style reminiscent (and in celebration) of the great Fellini – in all of its splendour and superficiality, magnificence and malevolence, artifice and significance.

Cannes press conference excerpts with Paolo Sorrentino and actors Toni Servillo and Sabrina Ferilli (video)

“Toni Servillo: playboy of the Italian world”, The Guardian.

The New York Times discusses with Paolo Sorrentino how his ‘The Great Beauty’ explores Italy’s decline.

Film Comment interviews Paolo Sorrentino about the sentimental journeys of his characters -people constantly aware of the weight of their past, not haunted by it but nagged with incessant thoughts of what-could-have-been, and challenged, if amused, by the hubbub of spectacle around them.

The New York Times op-ed columnist Roger Cohen on Berlusconi, Italy, desperation in Europe and Sorrentino’s masterpiece ‘The Great Beauty’.

Esquire’s Michael J. Agovino on the impeccable style of Jep Gambardella: “The Best-Dressed Man in the Movies Right Now.”

Paolo Sorrentino discusses with moderator Alex Ago sources of inspiration, the dangers of beauty, and using Fanny Ardant as an extra. Recorded at the Samuel Goldwyn Theater, Los Angeles, on 24 Nov, 2013. (video)

Paolo Sorrentino on The Great Beauty and why Italy must change or die, with The Guardian’s Catherine Shoard.

Does The Great Beauty signal at Italian film renaissance? asks La Trobe University Screen + Sound lecturer Anna Dzenis in The Conversation.

The New York Times op-ed: “The world loves The Great Beauty; Italy, not so much — a fact that says a lot about how the world sees my country, but even more about how my country views itself.”

Paolo Sorrentino in Filmmaker Magazine: “Everything is the great beauty. A little bit of everything: the city itself or the misery of some people or the greatness of people that can build or create a city like that.”

The Great Beauty

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Congratulations to J. Syme, Reedy Creek QLD, the winner of the “See The Great Beauty and Experience Rome” competition.

The Great Beauty iTunes