Director: Pablo Larraín
Cast: Gael García Bernal, Luis Gnecco, Mercedes Morán
Duration: 108 mins
Country of Origin: Chile
Strong sex scenes and nudity
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“Stunningly inventive. Not a biopic but a Nerudian take on the famed Chilean politician-poet, “Neruda” is a stunningly inventive take on the function rather than the life of a writer. A work of such cleverness and beauty, alongside such power, that it’s hard to know how to parcel out praise.”
Jay Weissberg, VARIETY
“An effusive love letter to the very concept of fiction and all the ways it can set you free.”
Jessica Kiang, THE PLAYLIST
OFFICIAL SELECTION (CHILE) – 2017 ACADEMY AWARDS – BEST FOREIGN LANGUAGE FILM
OFFICIAL SELECTION – 2016 CANNES INTERNATIONAL FILM FESTIVAL – DIRECTORS FORTNIGHT
OFFICIAL SELECTION – 2016 TORONTO INTERNATIONAL FILM FESTIVAL
OFFICIAL SELECTION – 2016 NEW YORK FILM FESTIVAL
A glorious mix of history and imagination, NERUDA is the enthralling new film from multi award-winning director Pablo Larraín (No, Jackie), a lavishly mounted and grandly entertaining depiction of the manhunt for exiled Chilean poet and politician Pablo Neruda.
It’s 1948, and the Cold War has reached Chile. Following the President’s outlawing of communism, Neruda (played by Luis Gnecco, bearing a remarkable likeness) and his artist wife Delia (Mercedes Morán) are forced into hiding. Beloved by the populace, they slip underground and are pursued by incompetent, vainglorious police inspector Oscar Peluchonneau (the superb Gael Garcia Bernal), hoping to make a name for himself by capturing the country’s most infamous fugitive.
Whilst life on the run holds little charm for the cultured and hedonistic Neruda, he uses the opportunity to reinvent his work and life, leaving clues for his pursuer designed to make their game of cat-and-mouse even more dangerous and thrilling. Thwarting Peluchonneau at every turn, it’s almost as if the detective is the man Neruda would have written to chase himself…
Blending visual grandeur and literary wit, NERUDA is a beguiling reinvention of the ‘standard’ cinematic biography. Playfully confounding expectations at every turn, the film offers a startling rumination on the split between the person and persona, the man and the artist.
Gripping, funny and ingeniously conceived, this is undoubtedly Larrain’s finest achievement to date.